Public art works by Katie Sokoler.

“They don’t have money for a gym membership. They don’t have money for a 24-hour gym pass. This is a ghetto pass. They work out in the ‘hood. A lot of these guys are creative, because they’ve been incarcerated. They know how to work out with [whatever’s around]. And you know, these guys are just as toned, just as ripped. They look better than some of the cats at any fitness club around the world.”
Circled #4, oil transfer drawing, 44×30, Glovaski 2009

One reason polynomials are interesting is that you can use them to encode sequences.
In fact some of the theory of abstract algebra (the theory of rings) deals specifically with how your perspective changes when you erase all of the x^297 and x^16 terms and think instead about a sequence of numbers, which actually doesn’t represent a sequence at all but one single functional.
When you put that together with observations about polynomials
This is an example of when the kind of language mathematics is, is quite nice. Every author’s sprawling thoughts coming from here and going to there while taking a detour to la-la land, are condensed by uniformity of notation. Then by force of reasoning, analogies are held fast, concrete is poured over them, and eventually you can walk across the bridge to Tarabithia. Try nailing down parallels between Marx & Engels, it’s much harder.
All of these connections give one an archaeological feeling, like … What exactly am I unearthing here?
The idea of art as free expression is romantic folly. Artists are problem-solvers. They are working for a living. They produce, play music, and dance for others for money. My artist friends, the successful ones, are taken up much of the time considering how to perfect or extend their craft and how to sell more product.
…While…taking a design course [my instructor] passed by me as I was laboring over a design project…. “Have you solved it yet?” he asked. That was when I realized that the essence of art was applied problem-solving…
[Let me point out how] completely erroneous [many popular] ideas about success in the arts are: as if one somehow either was born with the ability to play the violin or not. Talent plays a role, but time-on-task is the great determiner of achievement in playing an instrument and in doing mathematics. These arts are mastered at the cost of sweat, and their practice is not easy.
The last decade’s debt record for several rich countries.
3-month Bond Yields owed by some of them: (SOURCE: Bloomberg)
Japan .10% UK .41% Germany .28% US .04%
And here’s one of the yield curves (US’):
(Remember, higher yield means the debt costs more to service for the country that’s borrowing.)

3 × 3 × 3 × 3 × 3 × 3 × 3 × 3 × 3 × 3 × 3 × 3 × 3 … modulo 89

According to some rough estimates, world living standards grew less than 50 percent … from A.D. 1 until the Industrial Revolution. By contrast, they grew a whopping 1,000 to 2,000 percent in the 19th and 20th centuries.
Strawberries by Asobi Seksu
Zatoichi singing
[A] wall of fifty or sixty glass demijohns, wired tight against earthquakes, exhibit creatures from the [United East India] Company’s once-vast empire.
A pickled dragon of Kandy…a slack-jawed viper of the Celebes…A baby alligator from Halmahera…The alligator’s umbilical cord is attached to its shell for all eternity….the jar of a Barbados lamprey…[Its] mouth is a grinding mill of razor-sharp V’s and W’s.
Preserved from decay by alcohol, pig bladder, and lead, they warn not so much that all flesh perishes—what sane adult forgets this truth for long?—but that immortality comes at a steep price.
Imagine you were a wealthy writer — so wealthy that you could pay servants to look stuff up for you. Instead of drudging through tomes (or internet searches) to fact-check yourself, find original references, and so on. You just do the fun part: pontificate on paper.
Now let’s say after you have finished an essay, your servant / employee / virtual personal assistant comes back from his footnote research and tells you that statement #13 should be revised based on the best-known research on the topic. In fact, statement #13 is almost the reverse of the truth.
I can imagine things going one of two ways from here.
In an especially dire scenario, your PA’s research might overturn the worldview that led you to write the essay in the first place.
Like Holger Lippmann’s “Flower Circles 13”, changing one element renders the entire whole needful of alteration. Everything is so thoroughly enmeshed (see “complete graph” below for the neighbourhood relations) that no element of the text speaks in isolation.
That’s in distinction to the calculus, where smooth functions can be approximated by a differential.
In physicists’ language, due to tightly, globally connected topology, perturbations cannot be localised. Rather, the opposite: local perturbations cause global changes in the object.
OK, someone dared me. I’ll say it: Gestalt.